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                  <text>[page 1]&#13;
&#13;
[corresponds to front cover of As You Like It program]&#13;
&#13;
Programme&#13;
&#13;
[image of William Shakespeare: "MR. WILLIAM SHAKESPEARES COMEDIES, HISTORIES, &amp; TRAGEDIES. Published according&#13;
&#13;
to the True Originall Copies, The Second Impression]&#13;
&#13;
As You Like It&#13;
&#13;
WITH A SPECIAL TRIBUTE TO PROFESSOR R. C. HUNTER</text>
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                  <text>[page 2]&#13;
&#13;
[corresponds to unlabeled page 2 of As You Like It program]&#13;
&#13;
DEDICATION&#13;
&#13;
[photo of Hunter]&#13;
&#13;
THE YOUNG TEACHER -- 1920&#13;
&#13;
Surely few colleges have had during the&#13;
&#13;
past four decades annual Shakespeare plays&#13;
&#13;
produced with such consistent success as those under Clarence Hunter's&#13;
&#13;
direction at Ohio Wesleyan. As a colleague concerned with the art of&#13;
&#13;
Shakespeare from a contemporary, literary point of view, I have looked&#13;
&#13;
forward each year to the last week in April when, in commemoration of&#13;
&#13;
Shakespeare's birthday, the Wesleyan Players would interpret anew one of&#13;
&#13;
the tragedies or histories or comedies. For many hundreds of students&#13;
&#13;
these productions have led to a permanent interest in Shakespearean &#13;
&#13;
drama. Clarence Hunter's achievement is an enviable one indeed.&#13;
&#13;
Ben Spencer&#13;
&#13;
Professor of English&#13;
&#13;
[photo of Hunter]&#13;
&#13;
THE RETIRING PROFESSOR -- 1959</text>
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                  <text>[page 3]&#13;
&#13;
[corresponds to unlabeled page 3 of As You Like It program]&#13;
&#13;
THETA ALPHA PHI&#13;
&#13;
Presents&#13;
&#13;
As You Like It&#13;
&#13;
by &#13;
&#13;
William Shakespeare&#13;
&#13;
Directed by&#13;
&#13;
Rollin C. Hunter *&#13;
&#13;
CAST OF CHARACTERS&#13;
&#13;
Orlando - - - - - - - - - - - - - - - - - - - - - Jerry May&#13;
&#13;
Oliver - - - - - - - - - - - - - - - - - - - - -  Don Jones&#13;
&#13;
Jaques de Boys - - - - - - - - - - - - - - - - -  Jerry Dickey&#13;
&#13;
Duke Senior - - - - - - - - - - - - - - - - - - - Ken Jahraus *&#13;
&#13;
Duke Frederick - - - - - - - - - - - - - - - - -  Albert Zimmer&#13;
&#13;
Touchstone - - - - - - - - - - - - - - - - - - -  James Kelley&#13;
&#13;
LeBeau - - - - - - - - - - - - - - - - - - - - -  Elliott Sluhan *&#13;
&#13;
Jaques - - - - - - - - - - - - - - - - - - - - -  Joe Woods *&#13;
&#13;
Corin - - - - - - - - - - - - - - - - - - - - - - Mike Tippett *&#13;
&#13;
Silvius - - - - - - - - - - - - - - - - - - - - - Philip Taylor&#13;
&#13;
Charles - - - - - - - - - - - - - - - - - - - - - Anthony Zlatovich&#13;
&#13;
William - - - - - - - - - - - - - - - - - - - - - Carl Kandel&#13;
&#13;
Dennis - - - - - - - - - - - - - - - - - - - - -  Janet Klein&#13;
&#13;
Amiens - - - - - - - - - - - - - - - - - - - - -  Ralph Hoffhines *&#13;
&#13;
Adam - - - - - - - - - - - - - - - - - - - - - -  Carl Kandel&#13;
&#13;
Sir Oliver Martext - - - - - - - - - - - - - - -  James Guimond&#13;
&#13;
Rosaline - - - - - - - - - - - - - - - - - - - -  Daphne Winder&#13;
&#13;
Celia - - - - - - - - - - - - - - - - - - - - - - Mary McCleary&#13;
&#13;
Phebe - - - - - - - - - - - - - - - - - - - - - - Jo Ann Gerwick&#13;
&#13;
Audrey - - - - - - - - - - - - - - - - - - - - -  Sue Reed *&#13;
&#13;
Courtiers, Foresters, Attendents, etc.&#13;
&#13;
Virginia Adams, Larry Bettcher, Jerry Binns, Tom Clough, David Dayton, Trish Dressel, Sarah&#13;
&#13;
Gerhard, Osborn Dodson, Ronald Padgham, Joan Parkhurst, Margaret Rowley, Janice Tillotson, Al&#13;
&#13;
Zimmer.&#13;
&#13;
* Members of Theta Alpha Phi, National Honorary Dramatics Fraternity.&#13;
&#13;
Professor Hunter was National President of Theta Alpha Phi from 1954-1956.&#13;
&#13;
April 23, 24, 25, 1959		Willis High School Auditorium		Curtain 8:15 P.M.</text>
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                  <text>[page 4]&#13;
&#13;
[corresponds to unlabeled page 4 of As You Like It program]&#13;
&#13;
OHIO WESLEYAN&#13;
&#13;
UNIVERSITY&#13;
&#13;
DELAWARE, OHIO&#13;
&#13;
IN APPRECIATION&#13;
&#13;
On behalf of the Board of Trustees, I wish to&#13;
&#13;
take note of the approaching retirement of one of&#13;
&#13;
Ohio Wesleyan's truly great teachers, Clarence&#13;
&#13;
Hunter. He came to our faculty just when I was&#13;
&#13;
leaving the college as a graduate. Since that im-&#13;
&#13;
portant year 1920, I have known of Professor&#13;
&#13;
Hunter's contribution to the University as an in-&#13;
&#13;
structor, as a coach in dramatics and as an au-&#13;
&#13;
thority in Shakespeare. He has not only labored&#13;
&#13;
diligently within the college itself, but has&#13;
&#13;
brought us prestige from without. Since becom-&#13;
&#13;
ing a Trustee, I have been even more aware of&#13;
&#13;
his good works.&#13;
&#13;
It gives me great pleasure to wish Clarence&#13;
&#13;
and Mrs. Hunter many years of useful and re-&#13;
&#13;
warding retirement. Ohio Wesleyan is proud to&#13;
&#13;
have had thirty-nine years of such devoted&#13;
&#13;
service.&#13;
&#13;
C. B. Mills&#13;
&#13;
Chairman of the Board&#13;
&#13;
IN TRIBUTE&#13;
&#13;
This year we pay special tribute to R. Clar-&#13;
&#13;
ence Hunter whose sensitive and understanding&#13;
&#13;
interpretation of Shakespeare has enriched the&#13;
&#13;
lives of so many of us over the years.&#13;
&#13;
His record of 37 annual Shakespeare plays is&#13;
&#13;
impressive in itself; but Professor Hunter has&#13;
&#13;
consistently sought and achieved the highest&#13;
&#13;
quality in all his dramatic productions. His con-&#13;
&#13;
tribution over nearly ten college generations, both&#13;
&#13;
in the classroom and in the cultural life of the &#13;
&#13;
greater University community, is certainly con-&#13;
&#13;
sistent with the highest ideals of the teaching&#13;
&#13;
profession.&#13;
&#13;
George W. Burns&#13;
&#13;
Acting President</text>
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                  <text>[page 5]&#13;
&#13;
[corresponds to unlabeled page 5 of As You Like It program]&#13;
&#13;
Thirty years of the most enjoyable and pleasant&#13;
&#13;
relationships with Professor Hunter.&#13;
&#13;
THE INDEPENDENT PRINT SHOP CO.&#13;
&#13;
Of Course&#13;
&#13;
C. J.&#13;
&#13;
is proud to salute&#13;
&#13;
R. C. Hunter&#13;
&#13;
C. J. WILSON OF COURSE&#13;
&#13;
PRODUCTION STAFF&#13;
&#13;
Technical Director - - - - - - - - - - - - - - - - - D. C. Eyssen *&#13;
&#13;
Stage Manager - - - - - - - - - - - - - - - - - - -  Cheryl Smith *&#13;
&#13;
Assistant Stage Manager - - - - - - - - - - - - - -  Charles Rose&#13;
&#13;
Properties - - - - - - - - - - - - - - - - - - - - - Audrey Aiken - Carol Anderson&#13;
&#13;
Costumes - - - - - - - - - - - - - - - - - - - - - - Virginia Adam *&#13;
&#13;
Master Electricians - - - - - - - - - - - - - - - -  Randall Wagner - William Boag&#13;
&#13;
Box Office - - - - - - - - - - - - - - - - - - - - - Sally Wenzel&#13;
&#13;
Head Usher - - - - - - - - - - - - - - - - - - - - - Jean Frazee&#13;
&#13;
Makeup - - - - - - - - - - - - - - - - - - - - - - - Judy Davis&#13;
&#13;
Publicity - - - - - - - - - - - - - - - - - - - - -  Elliott Sluhan *, Mike Tippett *&#13;
&#13;
CREWS&#13;
&#13;
Stage: Marjorie Emerson, Connie Gordon, Marge Sayers, Stephen Kenney, Douglas Oberlander, Jona-&#13;
&#13;
than Blakely, Alden Stratton, Albert Frasca, Georgiana Adams&#13;
&#13;
Properties: Sally Overly, Anne Hagemeyer, Karlee Hodler, Nancy Crichton, Marge Sayers, Margaret&#13;
&#13;
Foote&#13;
&#13;
Costumes: Ginny Amrein, Suzanne Whitney, Katie McKenzie, Nancy Pearson, Marian Bellan, Osborne&#13;
&#13;
Dodson, Sarah Gerhard&#13;
&#13;
Light: Sheila Wagner, Phil Perkins, Dick Jedwill, Robert Jaccaud, Barbara Mason, Elaine Fately,&#13;
&#13;
Phoebe Helms&#13;
&#13;
Construction: Stephen Kenney, Elaine Fately, Phoebe Helms, Barbara Mason, Georgiana Adams&#13;
&#13;
* Members of Theta Alpha Phi&#13;
&#13;
ACKNOWLEDGEMENTS&#13;
&#13;
The Director is deeply grateful to the following for material assistance with this production: Ray-&#13;
&#13;
mond Leech, of the Department of Physical Education, for preparing the wrestling match; Mrs. Stephen&#13;
&#13;
Kelley, for working out the country dance which closes the play; and Professor Tilden Wells, for writ-&#13;
&#13;
ing the music for the song which opens Act II.&#13;
&#13;
If Thou art not too bald and bare&#13;
&#13;
Let Foxy wrestle with your hair.&#13;
&#13;
FOXY THE BARBER&#13;
&#13;
TO R. C. HUNTER&#13;
&#13;
In appreciation for the many years of cultural develop-&#13;
&#13;
ment and outstanding entertainment which you have con-&#13;
&#13;
tributed to the community of Delaware.&#13;
&#13;
BETSY ANNE HUMPHRIES DANCE STUDIO&#13;
&#13;
75 Mason Avenue		Delaware</text>
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                  <text>OWU As You Like It Program (p. 5)</text>
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                  <text>[page 6]&#13;
&#13;
[corresponds to unlabeled page 6 of As You Like It program]&#13;
&#13;
Thirty-nine Years of&#13;
&#13;
Pleasant Business Relations&#13;
&#13;
with Professor Hunter.&#13;
&#13;
ANDERSON CLOTHING&#13;
&#13;
Our twenty years of serving Professor Hunter have&#13;
&#13;
been most enjoyable.&#13;
&#13;
LEE'S BOOK STORE&#13;
&#13;
AS YOU LIKE IT -- THE FIRST SHAKESPEAREAN PRODUCTION AT OHIO WESLEYAN&#13;
&#13;
"In any consideration of the development of the drama at Ohio Wesleyan University between the years 1903 and&#13;
&#13;
1913 the chief factor to be considered is the work and influence of Professor Robert Irving Fulton, at that time the&#13;
&#13;
Dean of the School of Oratory. Professor Fulton loved the drama, especially Shakespeare, and it was his ambition to pre-&#13;
&#13;
sent great plays at the University. This ambition, however, controverted the idea dominant in the Methodist Church in&#13;
&#13;
those days, to wit, that the theatre was a thing of evil and that it should not be tolerated in a Methodist institution. Pro-&#13;
&#13;
fessor Fulton was a persistent individual. He was not easily discouraged and in spite of opposition he worked unceasing-&#13;
&#13;
ly to attain his end.&#13;
&#13;
It was at Commencement time, June 21, 1905, that Professor Fulton decided the time had come for the presentation&#13;
&#13;
of a Shakespearean play, and to get way from the atmosphere of the theatre which was taboo, he decided to have an open-&#13;
&#13;
air performance. The play selected was AS YOU LIKE IT and for the part of Rosalind a well known reader and elo-&#13;
&#13;
cutionist named Katherine Eggleston Junkermann was invited to be the guest star. John T. Marshman, 1 then a gradu-&#13;
&#13;
ate student, was cast as Touchstone, and to my surprise I was given the part of Orlando. Since I was only a sophomore&#13;
&#13;
this was taken to be an evidence of favoritism on the part of Professor Fulton.&#13;
&#13;
The site selected for the forest of Arden was a hillside in what was then known as Merrick Glen, on the Barnes&#13;
&#13;
property, at about the point where Stuyvesant Hall stands today. We had a distinguished audience the afternoon of the&#13;
&#13;
play, seated on the hillside facing our open-air stage. The first act went off very well, and then--disaster! The windows&#13;
&#13;
of heaven were opened and the water fell upon the earth. Later on some of Professor Fulton's opponents on the faculty&#13;
&#13;
expressed the opinion that it was a judgement of heaven on our wicked play. Players and spectators alike ran for&#13;
&#13;
shelter but before we reached the house we were soaked to the skin.&#13;
&#13;
Professor Fulton was a bit discouraged by this setback, but not at all dismayed and the following afternoon we&#13;
&#13;
ventured again into the forest. This time the weather was perfect and the play was a great success."&#13;
&#13;
By Charles Milton Newcomb*&#13;
&#13;
1 John T. Marshman became the head of the speech department in 1920. &#13;
&#13;
* Charles Newcomb was head of dramatics at OWU from 1916 to 1920.&#13;
&#13;
Congratulations to&#13;
&#13;
Professor Hunter&#13;
&#13;
FIRST NATIONAL BANK OF DELAWARE&#13;
&#13;
Member of the F.D.I.C.&#13;
&#13;
Due to the difference in our dates of birth we never&#13;
&#13;
found it possible to be contemporary with William&#13;
&#13;
(Shakespeare, that is) so we did the next best thing and&#13;
&#13;
lived next door to Clarence (Hunter, that is) and a fine&#13;
&#13;
neighbor he was.&#13;
&#13;
ROY HOFFMAN</text>
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                  <text>[page 7]&#13;
&#13;
[corresponds to unlabeled page 7 of As You Like It program]&#13;
&#13;
Best Wishes to a good&#13;
&#13;
neighbor.&#13;
&#13;
L. L. CHAMBERS AND SON&#13;
&#13;
Our Best Wishes to Professor and Mrs. Hunter for&#13;
&#13;
their loyalty to this community.&#13;
&#13;
WHETSEL BROTHERS&#13;
&#13;
ACTION OF THE PLAY&#13;
&#13;
The action of the play takes place in Oliver's orchard, on the lawn of&#13;
&#13;
the Duke's palace, and in the Forest of Arden.&#13;
&#13;
There will be two short intermissions, following Acts I and II.&#13;
&#13;
THE COFFEE HOUR&#13;
&#13;
The cast and crews cordially invite members of the Thursday night&#13;
&#13;
audience to come back stage for a special coffee hour honoring Professor&#13;
&#13;
and Mrs. R. C. Hunter.&#13;
&#13;
THE SHAKESPEARE PLAYS THAT HAVE BEEN DIRECTED BY PROFESSOR HUNTER&#13;
&#13;
1921 The Merchant of Venice		1941 The Merchant of Venice&#13;
&#13;
1922 As You Like It			1942 King Lear&#13;
&#13;
1923 A Midsummer Night's Dream		1943 Romeo and Juliet&#13;
&#13;
1924 Twelfth Night			1944 Twelfth Night&#13;
&#13;
1925 Romeo and Juliet			1945 As You Like It&#13;
&#13;
1926 The Merchant of Venice 		1946 A Midsummer Night's Dream&#13;
&#13;
1927 The Taming of the Shrew		1947 Macbeth&#13;
&#13;
1928 Much Ado About Nothing		1948 The Taming of the Shrew&#13;
&#13;
1929 Twelfth Night			1949 Othello&#13;
&#13;
1930 A Midsummer Night's Dream		1950 Julius Caesar&#13;
&#13;
1931 Romeo and Juliet			1951 The Merry Wives of Windsor&#13;
&#13;
1932 As You Like It			1952 Twelfth Night&#13;
&#13;
1933 The Taming of the Shrew		1952 Twelfth Night-- A special production&#13;
&#13;
1934 Macbeth				     using alumni&#13;
&#13;
1935 Much Ado About Nothing		1953 Coriolanus&#13;
&#13;
1936 Twelfth Night			1955 The Tempest&#13;
&#13;
1937 Hamlet				1956 Richard III&#13;
&#13;
1938 As You Like It			1957 A Midsummer Night's Dream&#13;
&#13;
1929 A Midsummer Night's Dream		1958 Hamlet&#13;
&#13;
1940 The Taming of the Shrew		1959 As You Like It&#13;
&#13;
</text>
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                  <text>OWU As You Like It Program (p. 7)</text>
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                  <text>[page 8]&#13;
&#13;
[corresponds to unlabeled page 8 of As You Like It program]&#13;
&#13;
Greetings from Friends&#13;
&#13;
So at last it has come to this--the final Shakespeare play that you direct as a &#13;
&#13;
member of the faculty! Plays and speech class will go on next year, but it will&#13;
&#13;
seem a bit strange not to have you around the campus too. You have been a stalwart&#13;
&#13;
member of the faculty and we remember the part that you have played in faculty af-&#13;
&#13;
fairs. It has been just about the easiest thing in the world to give enthusiastic sup-&#13;
&#13;
port to the college dramatic program. You have provided good entertainment and a&#13;
&#13;
varied fare (even though Shakespeare is your favorite playwright). You have pro-&#13;
&#13;
vided real enrichment to college and community life. As you begin your retirement,&#13;
&#13;
your faculty colleagues wish you a long and happy vacation when you and your wife&#13;
&#13;
will have unhurried freedom to enjoy many things. One of these will surely be a&#13;
&#13;
connoisseur's delight in play-going. Have a good time, both of you.&#13;
&#13;
George Crowl, President of A.A.U.P., O.W.U. Chapter&#13;
&#13;
It is a distinct pleasure to add to this special program a few words of sincere ap-&#13;
&#13;
preciation to Mr. Hunter from Theta Alpha Phi. Not only has Mr. Hunter kept the&#13;
&#13;
Ohio Alpha Chapter among the most outstanding in the fraternity, but he has con-&#13;
&#13;
tributed richly to the organization as a whole, both in his many years of service as a&#13;
&#13;
national officer, and in the help and guidance he has given so generously to the chapters&#13;
&#13;
in this region. Associated with Theta Alpha Phi almost since its inception, Mr. Hunt-&#13;
&#13;
er represents in a high degree as a person, and in his teaching, the ideas and ideals in&#13;
&#13;
theatre this group attempts to propagate. We are proud to claim him as a member, &#13;
&#13;
and to extend our fondest good wishes for the future.&#13;
&#13;
F. Lee Miesle, Regional Director, Region II, Theta Alpha Phi&#13;
&#13;
Theta Alpha Phi, national honorary dramatics fraternity, wishes to honor Professor&#13;
&#13;
Clarence Hunter on the occasion of his retirement. The progress of theatre at Ohio&#13;
&#13;
Wesleyan is founded upon the precepts he has engendered here. He can proudly take&#13;
&#13;
his place among the outstanding teachers and directors of the non-professional theatre&#13;
&#13;
of our country who have brought into fine force a Renaissance in the theatre. Hun-&#13;
&#13;
dreds of students form a great immortality for him. He taught them well and inspired&#13;
&#13;
them to create and appreciate good drama. His method was ever stimulating. He is&#13;
&#13;
one of those rare teachers who can in performance demonstrate the art he teaches.&#13;
&#13;
Also he has been an influence in the national scene having served with distinction as the&#13;
&#13;
national president of Theta Alpha Phi. We, the members of Theta Alpha Phi, extend&#13;
&#13;
hearty congratulations to Clarence Hunter and hope sincerely that in retirement he&#13;
&#13;
will continue his connection with his colleagues, students, and friends throughout the&#13;
&#13;
world.&#13;
&#13;
R. W. Masters, National Secretary-Treasurer, Theta Alpha Phi&#13;
&#13;
There are many missionaries among us. Most are easily identified. A few are not.&#13;
&#13;
Clarence Hunter is not. For nearly four decades he has quietly and devoutly served the&#13;
&#13;
interests of and taught drama to college students. Their excellence and their works&#13;
&#13;
carry a far greater tribute to this man than mere written or spoken words. It seems&#13;
&#13;
more than fitting that the conclusion of this great teacher's second act should have been&#13;
&#13;
written by one of the world's greatest playwrights, Shakespeare. This final production,&#13;
&#13;
therefore, shall be a capstone to the columnar teaching career of this man who has done&#13;
&#13;
so much for so many. To those of us who have followed Clarence Hunter in the Presi-&#13;
&#13;
dency of Theta Alpha Phi, we find the way challenging. It is our hope that when our&#13;
&#13;
second act curtain comes, we will be able to look forward to the third act with the same&#13;
&#13;
confidence. We pray that we will be able to feel a measure of the same pride of ser-&#13;
&#13;
vice and accomplishment of the past while anticipating the future. Thank you, Clarence&#13;
&#13;
Hunter. We can only try. Good luck and may God bless you.&#13;
&#13;
Sam M. Marks, National President, Theta Alpha Phi&#13;
&#13;
TRAGIC NIGHT in the career of Professor Hunter was February 24, 1934,&#13;
&#13;
when the City Opera House was completely destroyed by fire. This was the&#13;
&#13;
first theater used by Ohio Wesleyan dramatists. Professor Newcomb recalled&#13;
&#13;
that "there was a decided 'air' about this old 'Opry House.' This was due&#13;
&#13;
to the fact that the fire department stable was located on the first floor."&#13;
&#13;
After the fire, Ohio Wesleyan turned to the Delaware public schools to pro-&#13;
&#13;
vide theater arrangements in Willis High Auditorium. The University, in&#13;
&#13;
spite of the fact that it has had an outstanding program in dramatics, has&#13;
&#13;
never had a theater of its own. Professor Hunter has worked hard and long&#13;
&#13;
toward this end, and his many friends have hoped it could be realized be-&#13;
&#13;
fore his retirement.&#13;
&#13;
[photo of Opera House on fire]</text>
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